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| Great Mosque of
Damascus
Also called Jami’a el Amwy, Grand Mosque, and
Ummayad Mosque
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Source:
Photographs of Charles Lee Feinberg. |
Damascus Ummayad
Mosque Court
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The largest and most ancient mosque in Damascus is the Jami’a el Amwy, “The
Great Mosque of the Omeiyades,” which ranks only next in importance to the
sanctuaries of Mekka, Medina, and Jerusalem. “Amwy” literally translated means
“the little slave-girl.” . . . This mosque (to which strangers are admitted on
payment of a fee) occupies the site of many former and important structures. A
Roman temple which stood here was, towards the close of the fourth century,
converted into a Byzantine basilica dedicated to St. John the Baptist. It is
said that his head was enclosed in a casket of gold, and preserved in a cave or
crypt beneath the building. On the capture of Damascus by the Saracens in 634,
they took possession of the east end of the basilica, and Christians and Muslims
for many years worshipped under one roof. It was not until the commencement of
the eighth century that the whole building was seized by Wźlīd I (the fifth of
the Omeiyad khalifs), and converted into a mosque. He did not, however, destroy
the outer walls, but enriched them with costly mosaics of gold and precious
stones and glass. (Source:
Picturesque Palestine, vol. 2, pp. 148-49.) |
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A Mueddin Chanting the Call to Prayer from
a Gallery of the Minaret of ’Isa (Jesus) |

Source:
Picturesque Palestine, vol. 2, p. 147. |
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In its present state it consists of a
quadrangle four hundred and eighty feet long
by three hundred and twenty-four feet wide,
surrounded by a lofty wall of fine masonry.
The northern part of the quadrangle is an open
court paved with limestone, with slabs of
marble of various colours introduced at
intervals. There are cloisters round three
sides of it, supported on arches resting on
columns of reddish-coloured stone, some of
which are cylindrical, but the greater number
are square and decorated with Byzantine and
Arabesque ornament in low relief . . . . At
the east end there is an elegant little
building called the “Dome of the Hours.” At
the west end of the court stands the “Kubbet
el Khazneh” (Dome of the Treasures), . . . The
sanctuary of the mosque occupies the southern
portion of the great quandrangle, but is only
separated from it by a row of columns now
encased in masonry. . . . This celebrated
mosque has three tall minarets, and they and
its great dome and lofty walls are the most
prominent objects in every general view of
Damascus. (Source:
Picturesque Palestine, vol. 2, pp. 149-50.) |
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Source:
Picturesque Palestine, vol. 2, p. 158. |
The Arch of Triumph, Damascus |
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The entrance to the court of the mosque, at
Bāb Berīd, on the western side, is through the
Muslim book bazaar, a lofty arcade in which
there are remains of an ancient colonnade.
This was without doubt one of the chief
entrances to the ancient temple, for at its
western extremity, in the draper’s bazaar,
there still stands a portion of a splendid
archway. The lower part of the remaining
columns can be seen from the bazaar, but they
are so lofty that it is necessary to mount on
to the roof of a neighbouring house (which is
courteously permitted on payment of a few
piastres) in order to see the upper portion of
them and three Corinthian capitals, which
support a richly carved architrave and a
portion of the arch, which must have been at
least sixty feet in height. A large fragment
of the gable which rose above it is also
preserved; it is pierced by a small window . .
. . The width of the whole structure was about
eighty feet, and its height, measuring to the
top of the pediment, must have been about
seventy feet. (Source:
Picturesque Palestine, vol. 2, pp.
152-153.) |
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Inscription on Bridge, Grand Mosque,
Damascus |

Source:
Earthly Footsteps
of the Man of Galilee, p. 279. |
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But it is on the south side of the mosque
that the most remarkable relics of former
structures exist. To obtain a view of this
portion of the building it is necessary to
mount on to the roof of the silversmith’s
bazaar . . . from which point can be seen,
near the transept, a disused but magnificent
doorway, with a small one on each side of it.
They are richly decorated with sculptured
scroll-work, somewhat similar in design and
execution to that of the great gateway of the
Temple of the Sun at Ba’albek . . . . This was
probably one of the triple portals of the
Roman temple, subsequently used by the
Christians as an entrance to their basilica,
for on the upper beam of the central doorway
there is an inscription in Greek which
evidently formed no part of the original
design, and to introduce it a moulding has
been cut away . . . The sculptured words, well
indicated in the illustration, are from the
Septuagint version of Psalm cxlv. 13: “Thy
kingdom, O Christ, is an everlasting kingdom,
and thy dominion endureth throughout all
generations”—the words O Christ being
interpolated. There is no record as to the
time or occasion when the verse was inscribed
here. Few Muslims seem to be aware of its
existence, and fewer still of its
significance. (Source:
Picturesque Palestine,
vol. 2, p. 153) |
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See
Damascus,
Damascus Rivers,
Terkiyeh Mosque,
Paul in Damascus,
Baalbek or
Palmyra |
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