
|
| Golden Gate |
|

Source:
Earthly Footsteps of the Man of Galilee, p. 232. |
The Golden Gate
|
|
We give here a picture of the Golden Gate, because this is supposed to be the
gate through which Christ entered Jerusalem. This is called in Arabic Bab el-Tabeyeh,
the Gate of Repentance. It is in the east wall, and is in the center of a
projection fifty-five feet long and five feet wide. The gate is double, and has
semicircular arches; the entablature is sustained by Corinthian capitals, and is
bent around the arch. The gate is now walled up, and the Moslems believe that
they will retain possession of Jerusalem until some conqueror shall remove the
obstruction from this gate and enter through the same into the city, hence this
place is jealously guarded. (Source:
Earthly Footsteps of the Man of Galilee, p.
232.) |
|
|
| |
| |
|
| |
|
| |
The Golden Gate-Exterior View |

Source:
Jerusalem, Bethany, and Bethlehem, p.
27.
|
|
The Golden Gate, now shut up, is one of the
most striking features of the eastern wall of
the Haram; but the close observer can easily
see that it has been inserted at a
comparatively recent period. The debased
Corinthian capitals that support the florid
entablature of the double arch, bear no
resemblance in style to the massive simplicity
of the masonry on each side. The architecture
of the interior towards the Haram is peculiar,
having Corinthian and Ionic columns, with
exaggerated capitals, supporting a groined
roof. It may have been inserted about the time
of Constantine, evidently, however, on the
site of an older gate, the colossal monolithic
jambs of which remain, and may be seen from
the inside. (Source: Jerusalem, Bethany, and Bethlehem, p. 28.) |
|
|
| |
|
| |

Source:
Picturesque Palestine, vol. 1, p.
57. |
The Golden Gate of the
Haram esh Sherif |
|
On the east side of Haram esh Sherif is the
"Golden Gate," called by Moslems the "Gate of
Conversion or Penitence," and sometimes the
"Gate of the Eternal" . . . .The floor of the
Golden Gate is much below the level of the
Haram, and the door which gives access to the
interior is at the foot of a steep slope of
rubbish. The roof is of comparatively late
construction, but the body of the work is in a
good state of preservation, the finer parts of
the sculpture having been protected by a coat
of plaster, which was at some time put on to
conceal it. A quasi-classical cornice runs
along the wall on both sides of the interior.
The style is identical with that of the
decorated arch over the "Double Gate," and
also with the portion of an old cornice which
is built into the façade of the Church of the
Holy Sepulchre . . . .Externally the entire
entablature, architrave, frieze, and cornice
are bent, as at Spalatro, and arching from
pillar to pillar-a peculiarity which is said
not to be found in any building after the
fourth century. (Source: Picturesque Palestine, vol. 1, pp. 69-70.) |
|
|
| |
Golden Gate |

Source:
Photographs of Charles Lee Feinberg. |
|
The first point of interest in the east
wall of the Haram esh Sherif is the Golden
Gate, an entrance to the sacred enclosure
which has long been closed, in consequence of
a Moslem tradition that when the Christians
capture Jerusalem they will make their
triumphal entry by it . . . .The two
free-standing columns in the interior are said
by Moslem tradition to have been brought on
her shoulders by the Queen of Sheba as a
present to King Solomon. Through the gateway
itself, at the last day, the good will pass on
their way to the houris of Paradise, after
having safely crossed the Kedron on that
bridge which is sharper than the sharpest
sword; and through the same portal, according
to a very generally received belief, the
Christian prince who retakes Jerusalem will
make his public entry. The belief that the
Christians will recapture the city, and that
their own tenure of the country is drawing to
a close, is widely spread amongst the Moslems
in Palestine. (Source: Picturesque Palestine, vol. 1, pp. 46, 70.) |
|
|
| |
See
Jaffa,
Zion, and St Stephen Gates,
Damascus Gate,
Mount of Olives,
Garden of
Gethsemane |
| |
|
|